Follow up on taking on-the-ground shots
Now that I’ve figured out how to take on the ground shots without lying on the ground myself, I had to figure out how to stabilize the camera. I found a tripod that works for my process.
Now that I’ve figured out how to take on the ground shots without lying on the ground myself, I had to figure out how to stabilize the camera. I found a tripod that works for my process.
In the last Underfoot episode, the pack found a safe place under a bed. So, that’s where I need to photograph them – under the bed.
I’m a few weeks into a new Underfoot episode. Right now, I’m trying to get all of the dolls settled into the house, and then show them on their first morning. I expect at least a few more weeks of work before this episode is ready.
It turned out to be ridiculously hard to get one breakfast plate on one rat’s head
When you’re smaller than a teapot, it’s hard to get that first cup of coffee in the morning.
It turns out lighting is doing about 90% of the work in these shots
The Betwixt characters seem to spend more time out and about then any of my other dolls, so I’m forever figuring out ways to make them part of the scene.
Sometimes I get a really clear picture in my head of what I want to capture, and then realize that there’s simply no way to achieve it. That’s when I resort to brute force posing.
As a follow up to my previous post, I finished the shots I’d been taking with the disco ball, and they turned out pretty well.
One of the big advantages of photographing inanimate subjects is that you play around with all kinds of dim lighting.